Tuesday, March 26, 2024

Black veterans formed GAR posts to remember their service, do public good. The Lincoln Presidential Library is ensuring precious post documents endure

(Clockwise from top left) Delany post charter, Maj. Martin R. Delany, damaged charter from other post
(charter photos: ALPLM), Gustavus or Henry Booth with 5th Mass. Cavalry; same unit as Lewis Thompson
(Richard Carlile Collection as printed in Military Images; click all to enlarge)
Pvt. Enos Bond and the 17
th U.S. Colored Troops fought at the Battle of Nashville. Pvt. Lewis H. Thompson’s 5th Massachusetts Cavalry took part in an assault on Confederates near Petersburg. And Sgt. Shederick Conaway of the famed 54th Massachusetts Infantry Regiment survived the pitched fighting at Fort Wagner, the climactic scene in the film “Glory.”

Years later, these three men and seven other African-American veterans in Chicago founded Martin R. Delany Post #663 of the Grand Army of the Republic, a fraternal organization of Union Civil War veterans. (Delany, an influential abolitionist and author, was the first Black field officer in the U.S. Army. Photo below)

The Delany post met for at least a few years to socialize, discuss their war experiences and trauma, and support monuments, memory and charity – no doubt proud to have helped end slavery in the United States.

The charter of Post #663, which cemented the bond among Conaway and the others, recently underwent conservation at the Abraham Lincoln Presidential Library and Museum in Springfield, Ill. Experts at ALPLM, which has 269 charters of GAR posts in its collection, have been cleaning, mending and rehousing scores of the documents.

“During their active lives (as documents) the charters were very often displayed, framed or unframed and exposed to light and unfavorable storage conditions,” Christopher Schnell, ALPLM manuscripts manager, told the Picket in an email.

Schnell says the GAR charters, made official with signatures and foil seals, are a boon for researchers and historians, and that’s why restoration is crucial.

“By working on individual documents, or by taking the time to examine an individual set of records, we can raise up the stories of underrepresented members of our collective past,” Schnell wrote in an article about the GAR foundational documents.

Member of 54th Massachusetts survived Fort Wagner

We don’t know exactly how the 10 men who started the Delany post may have known each other. Two, Lewis McGowan and Moses McGowan, served in the 109th USCT and may have been related. It’s also difficult to ascertain how many may have been born into slavery.

1850 census lists Robert Conaway and  his children, including Shederick
Conaway is believed to have been born free in New Bern, which on the eve of the war had one of the largest concentrations of free people of color in North Carolina, according to the Craven County visitors center. (One source says he was actually born in Newton, N.C.)

His family moved to Cleveland, where Conaway worked as a waiter before enlisting in the 54th Massachusetts.

A look at fold3.com, military and pension records and genealogy indexing services show multiple variations of the soldier’s first name (Shad, Shadrack, Shedrick, Shederick, Shaderick, Shadrick) and last name (Conway, Conaway).

List of Delany post members, including Conaway. Click to enlarge (Chicago History Museum)
Conaway was 19 when he enlisted in a Boston neighborhood in April 1863. One history says he was wounded at Fort Wagner.

The 54th Massachusetts saw action at Olustee in Florida (Conaway was in the hospital at the time) and on islands around the Charleston area of South Carolina.

Conaway participated with Company G in the Battle of Honey Hill west of Beaufort, S.C, in November 1864, according to Schnell.

The soldier, who was promoted twice, was mustered out in August 1865.

The soldiers home in Milwaukee, which still provides services today (Wikipedia)
“After the war he went back to work in Cleveland and Chicago restaurants and hotels, married, and had at least one child. Near the end of his life, he moved into the Soldiers Home hospital in Milwaukee suffering from ’asthma’ and ‘heart disease,’” Schnell told the Picket.

Conaway died in February 1894 at age 50. He’s buried at a national cemetery in Milwaukee. I have been unable to come up with a photo of Conaway or any of the other nine charter members.

GAR was widespread, powerful and integrated

The names of the Delany post’s charter members – Bond (a retired police officer), Conaway, the McGowans, Thompson, William Banks of 1st Michigan Colored Infantry, William French of the 109th USCT, Peter French of the 6th U.S. Colored Cavalry, Walter E. Johnson of 14th Regiment, Rhode Island Heavy Artillery, and Alexander Jackson, 17th USCT, were written into history through the September 1888 charter. (Schnell believes the post eventually had 26 members.)

The GAR got its start in Illinois in 1866 and posts spread across the United States, with a peak membership of 400,000 in 1890. The Delany charter was issued three years after the death of its namesake. Illinois had nearly 800 posts.

It had a profound effect on late-19th century politics, with its membership providing the Republican Party, the party of Lincoln and Grant, with a solid voting bloc in Northern states,” according to ALPLM. “The organization used this political power to encourage the federal government to establish a robust veteran’s pension program.” (GAR medal left, courtesy of ALPLM)

By being a racially integrated public institution, the GAR was extremely unusual for its time. Illinois had about 48 integrated posts, while Chicago has at least two all-Black (including Delany #663) and 37 all-white posts.

Historian Barbara A. Gannon, in “The Won Cause: Black and White Comradeship in the Grand Army of the Republic” (UNC Press, 2011),” wrote that “although black veterans still suffered under the contemporary racial mores, the GAR honored its black members in many instances and ascribed them a greater equality than previous studies have shown.”

Gannon told the Picket that before her book, people often described the GAR as a segregated group under the assumption that the posts were segregated by direction of the organization. Instead, she says, black veterans asked the state GAR to charter their posts and they had reasons for doing so.

“For example, they named their post after a famous African-American in the Civil War as was their prerogative.” Gannon says. “They did so to remind white Americans of their Civil War experience.”

According to Schnell, black posts participated alongside white and integrated posts in traditional GAR  activities “to observe Memorial Day cemetery exercises and church services to honor the Civil War dead, to march together in patriotic parades, such as one held in Chicago to commemorate the Constitution centennial in 1887, and to attend annual meetings, like when the Martin R. Delany post joined the 7,000 member Illinois delegation to attend the national ‘encampment’ at Detroit in 1891.”

James Lewis Henry (right, ALPLM photo), a veteran in the John Brown post in Chicago, was a statewide leader in the organization and helped organize suc activities. A free black man, Lewis fought in Federal cavalry units and later became a lawyer.

The Delany post, like others, maintained a small charity account for members in need, but other than holding meetings, “we don’t know about the inner workings of the group,” said Schnell.

The Chicago History Museum has a roster book and minute book for the Delany GAR post.

While the surviving charter at ALPLM is from 1888, the CHM roster book is marked 1879-1890. It’s possible the post’s first charter had to be replaced.

CHM reference librarian Maggie Cusick says the minute book is more narrative and contains about 60 pages of content.

One of the pages about the post’s activity is written by acting adjutant Bushrod Washington.

A soldier by that name served in the 26th USCT, according to the National Park Service. Washington, a Virginian, died in Chicago in 1890, just a month after making the entry.

One of the Delany post volumes at the Chicago History Museum (Courtesy of CHM)
Mending these important documents follows a formula

When GAR posts ceased operating (the date for the Martin R. Delany post is unclear), records were turned to headquarters and folded several times. Charters often were 17 inches by 22 inches. The Illinois State Historical Society for many years held them once the GAR became inactive. The ALPLM eventually took charge of the documents.

“When retrieving post records for researchers, ALPLM staff would occasionally find charters, or the remains of them, that had to be placed on hold for conservation before they could be viewed or imaged,” says Schnell.

In 2019, conservators Bonnie Parr and Ginny Lee began the exacting work of carefully “relaxing,” or unfolding long-folded documents, cleaning, mending, removing acid and rehousing them (Mylar sleeves and oversize folders stored in flat drawers).

While the Delany charter needed just basic cleaning and mending, other documents are in pieces, officials say. About 40 GAR charters in the most serious condition are yet to be treated. (At left, a Delany post record with names of members. Courtesy ALPLM, click to enlarge)

“There have been a few charters with notes to the effect that they are replacements for originals destroyed by fire (and even one destroyed by a tornado). I’ve wondered about those incidents and how they affected the GAR members of those posts,” says Parr.

As an example of her work, Parr sent a photo of the much-folder, yellowed and brittle charter for Post #468 in Downers Grove. She believes some of its wear is due to long-term light exposure while in a GAR hall.

Parr recently completed work on a charter for the Gov. Richard Yates Post #687, an African American chapter, in Jacksonville, Ill. She put the document in a humidity chamber – made up of a rack in a sink, with damp towels nearby. The sink was covered with plastic. During the day, she gradually unfolded the paper as it “relaxed” from high humidity. The paper was dried and flattened between blotters.

“My satisfaction comes from taking the folded paper – which can’t be handled without damage – through conservation treatments that unfold and stabilize the fragile paper so that it can be read and be accessible for research,” says Parr.

Post #687 charter before unfolding, treatment area and the dried document (Courtesy ALPLM)
Parr uses specific tools during the process of lining – which involves a support system for the document while undergoing the final stages of conservation.

“I use a sheet of acid-free Japanese tissue for the lining and wheat starch paste to attach the GAR document to the tissue. I let it air dry for several days,” she says.

"Then, I use a metal spatula to carefully lift the tissue/charter off the lining surface, trim the excess tissue from the edges, deacidify the document, place it in a polyester film (a chemically inert plastic) sleeve, and send it back to the Manuscripts Department (where it ‘lives’).

The #687 charter during the lining process and the final product (Courtesy ALPLM)
Schnell tells the Picket the GAR charters are among the most heavily used manuscripts at the library.

“People interested in family history use the records to search for their veteran forebearer. Local historians seek information about the veterans (and their activities) who lived in their communities in the past,” he says.

Museums have asked for reproductions of the documents for purposes of exhibit. The charter conservation project was started because a county historical society asked for a scan of their local post charter and it needed repair before digital scanning.

With restored charters as a starting point, we can continue the GAR’s work of honoring the sacrifices of Civil War veterans by going beyond the ink and paper to recover the stories of the people who once fought to restore the Union and end slavery,” Schnell wrote in his blog post.

Thursday, March 21, 2024

Book about underage Civil War soldiers -- and how they were unsuited and unprepared -- wins prestigious Lincoln prize

Co-authors of a book about underage soldiers in the Civil War and a 19th-century society little concerned about their mental wellbeing have received the 2024 Gilder Lehrman Lincoln Prize.

Frances M. Clarke and Rebecca Jo Plant will be honored April 4 at the Harvard Club in New York City for “Of Age: Boy Soldiers and Military Power in the Civil War Era (Oxford University Press).

The Gilder Lehrman Lincoln Prize is awarded annually for the finest scholarly work in English on Abraham Lincoln, the American Civil War soldier or the Civil War era. The award includes a $50,000 prize and bronze replicas of Augustus Saint-Gaudens’s life-sized bust, “Lincoln the Man.”

Clarke and Plant “determined that at least 10 percent of Union troops were under the legal age of 21 (later 18 with an act of Congress) -- far higher than the 1.6 percent estimated by previous historians,” wrote Dave Kindy in an article last year at History.net about the topic. Confederate troops had a similar proportion.

The Gilder Lehrman Institute of American History and Gettysburg College recently announced the award.

James G. Basker, president of the institute, said the book "is not only breakthrough history, it is a compelling and moving read, full of the stories of children, some as young as 11 or 12, serving in the Civil War, and the struggles of parents to reclaim or liberate their underage sons from armies into which they had enlisted.

The authors also found African American youths discovered that both Union and Confederate officers ignored their evident age when using them as conscripts or military laborers. 

Kindy wrote the work is “filled with accounts of teens on both sides who heroically answered the call of duty and the tragedy of so many who met their fate on the battlefield or succumbed to the rigors of a military life that was wholly unsuited to young minds and bodies.”

Clarke is an associate professor of history at the University of Sydney, Australia. Plant is a professor of history and an Academic Senate Distinguished Teacher at the University of California, San Diego.

Monday, March 18, 2024

Lost (stolen), found and sold: 48 portraits from Herb Peck's prized collection, plundered in 1978 Nashville burglary, have new homes after auction

Florida soldier with carbine; siblings with 3rd Tennessee (Fleischer's Auctions)
Forty-eight photographs, mostly of young Southern men toting rifles, Bowie knives, revolvers and fierce gazes, sold for $259,000 (excluding buyer’s premium) at a weekend auction, pleasing the widow and son of an esteemed collector who curated the images before they were stolen in 1978.

The family of Herb Peck Jr. enlisted the help of law enforcement, other collectors and Military Images magazine in their hunt for 117 images taken during a burglary at their Nashville home.

Peck  began collecting in the 1950s ahead of the Civil War centennial, amassing one of thepremier collections of Civil War portrait photography at a time when the genre’s importance was only first being realized,” said Fleischer’s Auctions.

Peck died at age 67 in 2004 before any of the photographs were recovered. One was located in 2006, 39 were seized during a 2020 raid and eight more were returned in the past year.

Herb Peck Jr. with some of his photos in the 1970s. (Fleischer's Auctions)
Fleischer’s Auctions said representatives of the family attended the three-hour Saturday sale in Columbus, Ohio.

“It’s been an emotional process for everyone involved,” the company said in an email to The Civil War Picket.

Adam Fleischer, in a social media post after the sale, said high interest in the photographs reflected Peck’s eye for quality. “The Peck family's decision to share Herb’s captivating images with the public, following decades of uncertainty, resonated deeply with collectors and history enthusiasts alike.”

The top seller Saturday was lot 45, entitled “Confederate with Colt Revolving Rifle.” It went for $32,200 with the buyer’s premium. The subject wears an outdated cap topped by a havelock and holds a Model 1855 Colt revolving rifle. It’s possible he was from Virginia, according to Fleischer’s.

“This is a masterpiece of Southern photography and I chose it for the cover (left) that featured the story about Herb's collection,” Ronald S. Coddington, editor and publisher of Military Images, told the Picket. (Fleischer’s Auctions is an advertiser with the magazine)

Behind that was lot 34, entitled “Masterful Character Study,” which realized $24,300 with the buyer’s premium. The portrait depicts James and Calvin Walker of the 3rd Tennessee Infantry. Calvin was killed in action in Georgia in 1864, with an eyewitness noting that nothing was left of his head after he was hit by artillery shrapnel but “"...[a] chin and rather long whiskers.”

Images going for high prices included a Tennessee infantrymanFlorida soldier with carbine and a Confederate private armed with a Model 1842 musket, Bowie knife, and pair of large Colt Navy revolvers.

Coddington said he found lot 28, a photograph of a Confederate first sergeant, to be particularly compelling (right, courtesy Fleischer's Auctions).

He cites “the focal clarity of the image, the look of the soldier, the way he holds his saber and the unusual paper mat that was likely used as a substitute for brass mats that were unavailable in the South due to the blockade and loss of territory.

Ahead of the sale, Fleischer’s Auctions said the collection was once thought lost forever.

Coddington, in a Military Images article about Peck, said photographs from the collection were published in “The Civil War” by Ken Burns and in more than 50 books, magazines and articles, including Time-Life’s “The Civil War” series, the “Confederate Faces” series and “Civil War Times.”

Burglars hit the Peck home in September 1978, making away with 117 images, cameras and more than a dozen weapons.

Law enforcement agencies in Tennessee and the FBI worked on the case as several photographs appeared for sale on online sites. The FBI office in Indianapolis netted one image in 2006.

Peck’s son asked Military Images to revive the case in 2016 and he created a poster showing many of the photographs. The FBI and police in Ethridge, Tenn., recovered 39 images in an October 2020 raid. Eight more turned up later. (Southern musicians with fife and drum, left)

About 70 photographs are still to be recovered, according to Coddington. The publisher says the family is committed to their return. “Due to the active nature of the investigation and concerns from the family about jeopardizing the investigation, this is all I am able to state at this time.”

Saturday’s auction must have brought some satisfaction to Peck’s family.

Peck’s widow, Felicity, previously told Military Images: “I remember how distressed the collectors were at the time of the burglary. It has always been a comfort to me that others care about the importance of these images as historical, visible and tangible evidence of this country.”

Tuesday, March 12, 2024

Photo collector David Vaughan pens essays that detail the rich stories of Georgia soldiers. Still, the vast majority of Civil War images are unidentified

David W. Vaughan at 2023 Phoenix flies (Picket photo) and images of Georgia soldiers 
William Raines, Randolph Spalding and Alfred Cantrell, described below (David Wynn Vaughan Collection)
David Wynn Vaughan enjoys the thrill of the hunt.

The longtime collector of photographs depicting Confederate soldiers -- many from Georgia -- has a seasoned eye for ones that stand out. “I love (subjects) that are heavily armed,” he says. “I love tinted photographs. It crosses over to artwork to me.”

Vaughan’s pursuit doesn’t end at a purchase. He becomes that soldier’s storyteller, researching and writing a modest biography that highlights service, combat and the subject’s personal attributes – heroic and perhaps less so.

Vaughan will talk about his passion Wednesday evening in Atlanta and show pictures of a dozen or more soldiers and give an overview of their wartime lives.

I attended Vaughan’s captivating talk last year at the Atlanta Preservation Center, the same site for this week’s “Southern Photography in the American Civil War.”

The program is part of the center’s annual Phoenix Flies. Participants over several weeks can attend the “preservation celebration” at scores of sites across the Atlanta area.

The collector told me he is going to add some new material and speak about research discoveries since March 2023.

The internet has been a huge boost since Vaughan began collecting some 40 years ago. “It has totally changed my collecting habit. I look at history as much as the photo,” he tells the Picket. (Photo at left courtesy David Wynn Vaughan Collection)

Vaughan, an Atlanta Realtor, is well-known in Civil War photography circles for his premier collection of hundreds of images and his precise research.

About 50 of his photos and biographies have been published in Georgia Backroads magazine, with 8-12 hours of work going into each profile.

“David Vaughan is a terrific resource for Georgia history,” says Dan Roper, editor and publisher of Georgia Backroads. “His Civil War photograph collection is superb and he does a great job finding and writing backstories.”

Vaughan’s efforts garnered some national attention some 15 years ago in an article in Garden & Gun, a copy of which sits in a framed case at home (below). His photographs have also appeared in Military Images, including one depicting a fighting minister.

(Courtesy of David Wynn Vaughan)
“Every time I buy a new portrait, I’m off on a new tangent,” Vaughan told Garden & Gun. “I research each one, so I get to learn and grow. I chase down their history, their letters, their thoughts. It’s enriching. And it’s surprising.”

During his presentations, Vaughan weaves anecdotes about how he came to acquire some of the images – being strung along by sellers or learning fascinating details about a soldier from descendants.

He has about 100 photographs of Georgia soldiers. “You can literally put a book together on some of these guys.” Among the men he has researched for Georgia Backroads:

-- Pvt. Alfred Webb Cantrell of Cobb’s Legion cavalry (right): Cantrell was one of three brothers to join up. His unit fought at Brandy Station and skirmishes leading up to Gettysburg, and later Petersburg. Cantrell took part in every engagement except when in Georgia in 1864 to help procure horses. After the war, Cantrell took his family to Warrensburg, Mo., where he died in 1917 at age 75. Cantrell poses in the ambrotype with a revolver and cavalry saber. He wears a nine-button shell jacket and an oval Georgia state seal buckle, upside down for some reason.

-- Col. Randolph Spalding, 29th Georgia: Spalding was a member of a prominent family on the Georgia coast. His unit was stationed in Savannah and South Carolina, and he was reported by a sergeant to be “shamefully drunk” before battle at Fort Walker. An officer in another unit said Spalding attached himself as a private to a South Carolina regiment and fought throughout the day. He resigned for unknown reasons in December 1861 and died of pneumonia at age 39 in Savannah.  A newspaper said “a more generous and kind-hearted man never lived.” The ambrotype of Spalding depicts him in a double-breasted jacket, with three stars on his collar. He strikes a Napoleonic pose, with hand in jacket.

(Photos courtesy David Wynn Vaughan Collection)
-- Pattillo brothers: Left to right in the portrait above are Benjamin, George, James and John Pattillo, who served in Company K of the 22nd Georgia Infantry from Henry County. The regiment took part in “prolonged, arduous campaigns” from Seven Pines, Gettysburg and Cold Harbor to the Petersburg trenches and surrender at Appomattox. Benjamin died at Second Manassas and James and John were wounded during the war. The 1861 ambrotype features Corsican cap covers over their kepis. The brothers hold Bowie knives and George’s shell jacket has red tape trim on either side of the buttons.

-- Sgt. William Green Gaither Raines, 9th Georgia Infantry: The Walton County, Ga., man and his regiment fought in Virginia at first. It suffered brutal casualty numbers at Gettysburg and Raines was wounded a few days later. He died on Nov. 18, 1863, during a skirmish around Knoxville, Tenn. He was about 29. His brother, Littleton, died a few weeks later during an assault on Fort Sanders in Knoxville. In an ambrotype, Raines wears a seven-button jacket and the image is housed in a handmade case with a rare black embossed paper mat. “There was a shortage of photographic supplies in the South because of the Union naval blockade,” Vaughan wrote in Georgia Backroads, and photographers improvised by making their own cases

-- Col. John Hart, 6th Georgia Cavalry (right): “Although a man of the cloth, he loved hard liquor and single women,” Vaughan wrote in Georgia Backroads. Hart used his hot temper and Rebel yell to lead charges. He was wounded in July 1864 near Atlanta and got into a row a month later with another officer, leading to talk of a duel. His regiment chased the Union army all the way to Durham, N.C. The officer returned to Floyd County, where he died in 1878 at age 52. In his portrait, Hart wears a seven-button, double-breasted frock coat, and the stars on his collar and gold braid denote has rank as colonel.

Ode to just a boy: 'Not knowing your real enemy'

Roper of Georgia Backroads says Vaughan’s “photos are terrific and have drawn a lot of interest from readers.”

Vaughan, as a freelancer, provided a photograph of a Union soldier for the spring 2011 issue of Georgia Backroads. Pvt. Rasho Crane, a musician with the 7th Wisconsin Infantry, was captured at the Wilderness and died at Andersonville prison in Georgia. His grave marker gives his last name as Cram.

Crane was only 15 when he died, just a few months after enlistment. The magazine says it chose Crane for the cover as representative of the huge human loss at Camp Sumter (Andersonville).

The publication of Crane’s photo inspired writer Emma Cottrell, then in her 80s, to drive to Andersonville, find Crane’s grave, lay two roses on it and then write a poem about the photo and his story, says Roper. 

Cottrell’s poem reads, in part:

“I stand before your grave, Rasho Crane,
far from Wisconsin and the waters of Lake Michigan:
the green fields of Kenosha.
I saw your photograph in a magazine;
a Union boy, a stranger, someone’s son.
Pathos struck my heart and I could not choose
but follow you to this place. In the strange
silence growing round me, I close my eyes
and see you again; young, hot-blooded,
impatient -- lured from home to fight,
not knowing your real enemy was Fate.

-- Emma Cottrell and Georgia Backroads

Who is this man whose photo was put in Macon time capsule?

Civil War-era photos of identified soldiers, of course, are a premium for collectors and that’s who Vaughan generally acquires.

“You can find out so many nuances of the images, based on the identity of the soldier,” Vaughan told me. “You can find where it was made, when it was made. It could be a first- or second-issue uniform.”

He does occasionally buy unidentified images and has been able to learn their names in about a half dozen cases. But it’s tough.

Officials hope to verify the identity of this man (Historic Macon Foundation)
The Cannonball House in Macon, Ga., reached out to Vaughan for help identifying a man whose ambrotype or tintype image was in a time capsule placed under the base of a Confederate monument in 1878. (The monument was moved in 2022 and the weathered time capsule was opened.)

The man likely was a Civil War veteran, given the monument was topped by a marble Confederate soldier holding a rifle, and he appears to wear a uniform. Are the crutches he holds the result of a battle injury or did the need to use them rise after war’s end?

Vaughan says the crutches stand out and raise many questions. He believes the man is possibly wearing a Confederate jacket, but it’s tough to tell whether it has military buttons. There is no insignia, but Vaughan believes it may be a navy-use coat.

“He was probably lucky to be alive. He was convalescing. It could have been made in a studio or could have been in a camp. It is important for him to be photographed with crutches.”

Research leads enthusiasts down many rabbit holes as they seek an identity. “We don’t know who he is. More times than not you are so far off-base,” says Vaughan.

Cheryl Aultman, executive director of the Cannonball House, confirmed on March 17 the man remains unidentified.

Tough battle to identify the unknown photo subjects

Ronald S. Coddington, editor and publisher of Military Images, explains why so many Civil War photographs pose identification challenges.

“Hard-plate photos, including daguerreotypes, ambrotypes, and tintypes, tend to be less identified because it was not easy to do so. The most common practice was to tuck a note, and maybe a lock of hair, poem, or other items, into the case behind the image,” Coddington wrote in an email.

“Less common is writing on the back of the image plate, or scratching a name into the surface emulsion. Paper photographs, including cartes de visite and other albumen prints, were much easier to identify because identifying information could be written directly on the print surface, or, more commonly, the mount. I estimate maybe 5 percent of hard plates and 20 percent of paper photos are identified, though not all are airtight.”

Ron Coddington at the Chickamauga Civil War Show in 2018 (Picket photo)
Cartes de visite (CDVs) were easier and cheaper to produce and were given out in larger numbers.

Internet sites, notably Civil War Faces on Facebook and Civil War Photo Sleuth, are a boon to professional collectors and amateurs wanting to put a name to a face.

Civilwarphotosleuth.com has made it possible to use face recognition in combination with classic photo sleuthing techniques to identify soldiers and sailors, says Coddington, who recommended I upload the Macon image there.

I did so in November 2022, asking others to weigh in. I compared his face to possible matches, but have had no luck thus far in identifying him.

David W. Vaughan at last spring's Phoenix Flies talk (Civil War Picket)
A Georgia photo collector uploaded the photograph on Civil War Faces. An inventory of the 1878 time capsule lists H.C. Tindall of Macon as the donor of the photograph and a miniature Confederate flag worn by a soldier. Another source gives his name as M.C. Tillman.

That post did not yield any concrete answers, and it’s not certain whether the subject is a Tindall or Tillman – or someone else.

Another contributing factor to the high number of unidentified portraits is they were never intended for public consumption.

“These were personal, family artifacts to be cherished. In many cases, names were not required because the recipient knew the sitter,” Coddington writes.

Concerns about loss of context and provenance

Those who want to get into serious collecting can expect to spend significant money.

Vaughan tells the Picket he rarely discuss prices “because it opens up a Pandora's box of possibilities.” Many factors determine value and it can be difficult for the beginning collector or dealer to grasp because every image is an original and the price is greatly determined from the subject matter, he says.

“Some of the first images I purchased over 30 years ago were in the hundreds of dollars. Quality Confederate and Union images have continued to climb in value. Expect to pay several thousand dollars for a clear, armed and identified image.”

Part of a very big collection (Courtesy of David Wynn Vaughan)
Coddington points out that collectible items can lose their context – and perhaps identity -- over time.

“As images became separated from families and moved into the marketplace they often became separated from diaries, letters, uniforms, weapons and equipment. Breaking up these personal items resulted in more money for the sellers, who could find more buyers for single items rather than a single buyer willing to spend a lot of money to buy an entire intact collection. As a result, many single artifacts made their way into collections of those who really appreciated them, but at the cost of destroying the provenance and context.”

Vaughan says he wants his collection to be kept together, wherever it ends up. “It would be hard to put it back together again” if they were sold off individually, he says.

The collector acknowledges he is in essence a custodian of the photographs. “I only own them for a while.”

Vaughan’s talk Wednesday at the Atlanta Preservation Center, 327 St. Paul Avenue SE, Atlanta, Ga. 30312, begins at 7 p.m. You can register for free admission here. Event capacity is limited.

Saturday, March 9, 2024

Union officer brought formerly enslaved family to Minnesota after war

Brad Edgerton takes particular pride in one simple gesture amid his great-great-grandfather's many accomplishments: After commanding a regiment of Black soldiers during the Civil War, Alonzo Edgerton invited a family born into slavery to join him when he returned home to Minnesota.  "Everyone knows the North was sympathetic to Black people, but Alonzo walked the walk and followed up the talk with philanthropy for a family he loved,” said Brad Edgerton. -- Article